Share, Share Widely
A Conference on New-Media Art Education
Topics:
Vocational training versus solid critical education
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Edblogging, blogsperiments
Creation of meaningful connections between art, theory, technology, and history
Shaping of core curriculum without fear of experiments and failure
Distributed learning tools: empowering for the knowledge commons (organizing academic knowledge and connecting new media educators)Intellectual property issues in academia
Uses of social software in the classroom (wikis, and weblogs, voice over IP, del.icio.us, IM, and Flickr)
Introduction:
“Share, Share Widely” is organized
by the Institute for Distributed Creativity (iDC) in collaboration with
the Office of the Associate Provost for Instructional Technology and
the New Media Lab, The Graduate Center, City University of New York.
Over the past ten years new-media
art programs have been started at universities. Departments are shaped,
many positions in this field open up and student interest is massive.
In China, India, Indonesia, Singapore and Thailand enormous
developments will take place in the next few years in “new media” art
education. At the same time technologists, artists and educators
acknowledge a crisis mode: from Germany to Canada, Finland, Ireland,
Australia, Taiwan and Singapore to the United States and beyond. But so
far, at least in the United States there has been surprisingly little
public debate about education in new-media art.
How can new media theory be
activated as a wake-up call for students leading to radical change?
Which educational structure proves more effective: cross-disciplinary,
theme-based research groups or media-based departments? Does the
current new media art curriculum allow for play, failure, and
experiment? How can we introduce free software into the new media
classroom when businesses still hardly make use of open source or free
software? How can we break out of the self-contained university lab?
What are examples of meaningful connections between media production in
the university and cultural institutions as well as technology
businesses? How can we introduce politics into the new media lab?
conference participants: Joline Blais (University of Maine) | Beatriz DaCosta (UC Irvine) | Ben Chang (School of the Arts Institute Chicago) | Alison Colman (Ohio University School of Art) | Mary Flanagan (Hunter College, CUNY) | Pattie Belle Hastings (Quinnipiac University) | Tiffany Holmes (School of the Arts Institute of Chicago) | Jon Ippolito (Guggenheim Museum and University of Maine) | Natalie Jeremijenko (UC San Diego) | Hana Iverson (Temple University) | Molly Krause (Berkman Center for Internet and Society, Harvard University) | Patrick Lichty (Intelligent Agent Magazine) | Martin Lucas (Hunter College, CUNY) | Colleen Macklin (Parsons School of Design) | Daniel Perlin (Interactive Telecommunication Program) | Andrea Polli (Hunter College, CUNY) | Douglas Repetto (Columbia University) | Stephanie Rothenberg (SUNY at Buffalo) | Chris Salter (Concordia University, Montreal) | Brooke Singer (SUNY at Purchase) | Liz Slagus (Eyebeam) | Thomas Slomka (SUNY at Buffalo) | Mark Tribe (Columbia University) | McKenzie Wark (New School) | Ricardo Miranda Zuniga (The College of New Jersey).
remote contributors: see media blog at http://mediablog.newmediaeducation.org
Saul Albert (University of Openess) | Richard Barbrook (Westminster University, London) | Susan Collins (Slade School, London) | Eugene I. Dairianathan (Nanyang Technological University, Singapore) | Brian Goldfarb (UC San Diego) | Alex Halavais (SUNY at Buffalo) | Jeff Knowlton (UC San Diego) | Paul Benedict Lincoln (Nanyang Technological University, Singapore) | Geert Lovink (Hogeschool van Amsterdam/ University of Amsterdam) | Nathan Martin (Carnegie Mellon University) | Kevin McCauley (City Varsity, University of Cape Town/University of Stellenbosch, South Africa) | Jason Noland (University of Toronto) | Ricardo Rosas (Comum Lab, Sao Paulo, Brazil) | Joel Slayton (San Jose State University) | Paul Vanouse (SUNY at Buffalo)
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