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<!--Generated by Squarespace Site Server v5.9.1 (http://www.squarespace.com/) on Tue, 09 Feb 2010 13:48:05 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>'Trebor Scholz' Blog'</title><subtitle>Trebor Scholz 'journalisms'</subtitle><id>http://www.collectivate.net/journalisms/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.collectivate.net/journalisms/"/><link rel="self" type="application/atom+xml" href="http://www.collectivate.net/journalisms/atom.xml"/><updated>2009-12-25T03:33:16Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.1 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Post-Mortem Conference Mashup: The Internet as Playground and Factory</title><category term="#IPF09"/><category term="Eugene Lang College"/><category term="The New School"/><category term="Trebor Scholz"/><category term="iDC"/><category term="labor"/><id>http://www.collectivate.net/journalisms/2009/12/18/post-mortem-conference-mashup-the-internet-as-playground-and.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2009/12/18/post-mortem-conference-mashup-the-internet-as-playground-and.html"/><author><name>[Trebor]</name></author><published>2009-12-19T00:19:55Z</published><updated>2009-12-19T00:19:55Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p style="text-align: justify;">by<span style="font-size: 110%;"> Trebor Scholz&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span style="font-size: 110%;">(<a href="http://molodiez.org/ipf_report_pdf12202009.doc">download as .doc</a>)</span><br /><span style="font-size: 110%;"><br />In mid-November 2009, <a href="http://digitallabor.org/participants/">one hundred</a> media scholars, lawyers, historians, artists, social media experts, students, programmers, and activists came together for three days at Eugene Lang College The New School for Liberal Arts to discuss digital labor. Seven hundred messages on the <a href="http://digitallabor.org/discussion/">conference mailing list</a>, 400 new subscribers to this forum (the <a href="http://digitallabor.org/discussion">iDC</a>), <a href="http://is.gd/53JVJ">hundreds of tweets</a>,&nbsp; </span><span style="font-size: 110%;"><a href="http://vimeo.com/ipf2009/videos/sort:oldest">52 video interviews</a>, 1200 conference registrations, and 1000 views of the live stream</span><span style="font-size: 110%;"> show that participants engaged with <a href="http://digitallabor.org/">The Internet as Playground and Factory</a> conference intensely and on various levels.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Frequent reference points in the animated conversations included practices like <a href="http://en.wikipedia.org/wiki/Gold_farming">gold farming</a>, <a href="http://en.wikipedia.org/wiki/Mod_%28computer_gaming%29">game modding</a>, blogging, &ldquo;turking&rdquo; on <a href="https://www.mturk.com/mturk/welcome">Amazon.com's Mechanical Turk</a>, gaming in World of Warcraft, outsourcing through LiveOps.com, collaborating on Wikipedia articles, reputation scamming through SubvertandProfit.com and sweating in "<a href="http://en.wikipedia.org/wiki/CAPTCHA">captcha</a> sweatshops." Theoretical cues were repeatedly given to Paolo Virno, Harry Braverman, Hannah Arendt, Dallas Smythe, Jean Baudrillard, Bernhard Stiegler, Maurizio Lazzarato, Johan Huizinga, and <a href="http://vimeo.com/6882379">Tiziana Terranova</a>. <br /><br /><br /><span class="full-image-block ssNonEditable"><a href="http://vimeo.com/6882379"><img src="http://www.collectivate.net/storage/post-images/terranova.jpg?__SQUARESPACE_CACHEVERSION=1261361997198" alt="" /></a><span class="thumbnail-caption" style="width: 498px;">Tiziana Terranova (prelude to The Internet as Playground and Factory) </span></span></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">A few conference participants turned very many pages on the <a href="https://lists.thing.net/pipermail/idc/2009-June/thread.html">iDC mailing list</a> (and on Facebook and on <a href="http://friendfeed.com/search?q=ipf09">Twitter</a> and on Seesmic) while others silently participated and then spoke up at the conference. I am planning to go back and re-read all the list messages that did not get a response.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Still in the middle of post-production, it is not a simple task to reflect on this relatively large conference. There is always the inevitability of omissions, and the risk of oversimplifications, or misunderstandings but I am writing this because I was probably the only person who attended nearly all sessions at least in part, which was my mission because I convened the conference.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Shifts in labor markets have drawn attention to places where labor does not look like labor at all. The Internet has created new markets that can be accessed from anywhere with a net connection. While managerial royalty like Don Tapscott celebrated the business potential of &ldquo;crowdsourcing&rdquo; in books like &ldquo;Wikinomics,&rdquo; scholars such as <a href="http://vimeo.com/6880896">Andrew Ross</a> see digital labor as a non-surprising continuation of exploitative capitalist modes of operation. At the prelude to the conference <a href="http://is.gd/5knJ0">Ross stated</a> that "those who see the digital realm as a technology of de-skilling, outsourcing and work degradation are far outnumbered by those who see it as a medium of reskilling, innovation, and common value creation." Interactive input is just another transfer of work from more regulated kinds of labor markets, <a href="http://vimeo.com/6881391">Ross</a> stated. There is a great deal of overlap between intensified forms of expropriation of digital labor and traditional economies of unpaid work, especially in the home.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Several speakers claimed that we are all falling victim to a technocratic fetishization of the Internet that takes away from a full acknowledgment of the "real" places of exploitation: the heavily populated slums in what some participants called the &ldquo;global south.&rdquo; Are the discussed processes of monetization and coercion of "free" relations of exchange on the Social Web, as discussed at the conference, in fact a luxury problem in the overdeveloped world alone? The fact that cell phones are now widely used all throughout economical developing countries like Brazil, Russia, India, and China should lead to a re-evaluation of the worldwide participation gap.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/gleaner1.jpg?__SQUARESPACE_CACHEVERSION=1261333345499" alt="" /></span><br /></span><span style="font-size: 110%;">At this conference the term <a href="http://www.slideshare.net/trebor/mark-andrejevic-as-part-of-the-internet-as-playground-and-factory">exploitation</a> did not find many friends as a suitable descriptor for what is happening online. This language is not helpful in opening up, especially young people to considerations about the ways in which they are being had. Right now,&nbsp; net users are taking advantage of </span><span style="font-size: 110%;">large commercial platforms to </span><span style="font-size: 110%;">market themselves and they feel little or no sense of victimhood or lack of payment.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In the session &ldquo;<a href="http://www.youtube.com/watch?v=3WjorEAIExs">Ideology and the Erotics of Playbor,</a>&rdquo; <a href="http://digitallabor.org/speakers1/jonathan_beller">Jonathan Beller</a> correctly stated that the word "digital" does not sum up our entire condition. At the same time, however, the questions created by new expressions of labor markets in the financial-crisis world are increasingly urgent. There is a participatory turn in online sociality; the scale of participation is unprecedented. It is true that it is only a small segment of people with Internet access contributes material to the Web but this &ldquo;small segment&rdquo; of you-sers posted more than 150,000 videos a day to YouTube in 2008. Questions of expropriation of net users have a great deal of urgency given that the data of 350 million people are locked up under the rule of a single private entity like Facebook.&nbsp;</span></p>
<blockquote style="text-align: justify;">
<p style="padding-left: 30px;"><span style="font-size: 110%;">&ldquo;Sisyphus might have ultimately been convinced to pay a monthly fee for the pleasure of pushing that rock up the hill.&rdquo;</span></p>
<p style="padding-left: 60px;"><span style="font-size: 80%;">- Scott Rettberg on iDC, <a href="http://is.gd/39X7S">http://is.gd/39X7S</a></span></p>
</blockquote>
<p style="text-align: justify;"><span style="font-size: 110%;">We decide with one click what&rsquo;s &ldquo;hot&rdquo; and what is not, we &ldquo;follow,&rdquo; or like, we save, refer, and bookmark. Why do we upload our boredom or perform our addictions online?&nbsp; I quoted Tim O'Reilly who stated that &ldquo;...they are participating without thinking that they participate. That&rsquo;s where the power comes.&rdquo; (Scholz, <a href="http://is.gd/5jQm2">http://is.gd/5jQm2</a>) There are manifold reasons for social participation online but fun is one of them.<br /><br /><strong>May the fun be with you<br /></strong><br />Fun was indeed a recurring -and even recursive- topic at IPF: Martin Roberts and Chris Kelty explored Fun in their presentations. Taking as a starting-point the ubiquity of the term Fun in contemporary discourses on productivity,<a href="http://digitallabor.org/speakers1/martin_roberts"> Martin Roberts</a> related this to the eroding distinction between work and play. Considering it as a dominant value of postmodern society (comparable to terms such as "cool" or "organic"), he remained suspicious of it as an ideology, asking whose interests our Fun ultimately serves. Tracing the history of Fun to Coney Island, he suggested that critiques of labor by Adorno and others remain pertinent in a digital workplace organized around designing or even playing video games. Invoking the Sex Pistols' ritual destruction of Fun in their notorious final performance, Roberts considered whether escape from the postmodern fun house is even possible when anti-Fun has become just another kind of Fun. (Roberts, <a href="http://is.gd/5kg4f">http://is.gd/5kg4f)</a> How can we unlearn the short-lived pleasures of social media convenience?</span></p>
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<h3>It&rsquo;s fun, right?</h3>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://digitallabor.org/speakers1/christopher_m_kelty">Chris Kelty </a>continued Martin Robert&rsquo;s line of inquiry. <a href="http://www.scribd.com/doc/22394057/No-Fun-Slides">Kelty</a> started by outlining how crucial fun is to get people involved in working with computers and software. There is an endless stream of books with fun in the title. &ldquo;Programming is fun.&rdquo; &ldquo;Computer literacy is fun.&rdquo; The argument of many of these books is that your new paid job with computers is more fun than your old job delivering pizza, for example. Few books would be called &ldquo;The serious labor of software programming.&rdquo; Fun has often dominated the discussion about how to activate people and much research funding has been funneled into social psychology research for that reason. Some of this mentality is a hold-over from William Whyte&rsquo;s<strong> &ldquo;</strong>Organization Man&rdquo; (1956) and Ted Nelson&rsquo;s &ldquo;Computer Lib&rdquo; (1974). Fun is also used as category to explain why people contribute to free software. Linus Torvald&rsquo;s autobiography is titled &ldquo;Just for Fun.&rdquo; It&rsquo;s fun to stay up all night and see if you can get Linux to run on your machine. People seem to like fun better than not-fun. Even if they have to work to have fun, they&rsquo;ll do it to avoid not-fun work or no work at all,&rdquo; Kelty said. With regard to free software, it is especially important to understand why people are working without having been paid to do so. Why do hacker-types produce high quality software and then give it away for free? That still surprises some skeptics. Why do people work? Individuals do Free Software work for a plurality of reasons. Kelty emphasized that some of them do it for &ldquo;Free Software reasons&rdquo;: creating something for the public, making something freely available. Others want to &ldquo;stick it to the man,&rdquo; so to speak. Yet others do it for the fun, the joy, the pleasure, the fame, or the Boy Scout badge, or they are learning new skills and meet new people. With Free Software, people do not just argue about the way the world should be, they provide a proof of concept. Kelty introduced Hannah Arendt to think about the various ways in which we are dividing up the problem of labor, and that at least some at the conference seemed to think that Marx might be getting in the way of conceptual progress with this topic.<strong>&nbsp;</strong> <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://vimeo.com/8068570">Kelty</a> ends his IPF video interview with the plaintive request: "I may be the first against the wall when the revolution comes because I don't have any Marx in my presentation. So, please, don't kill me."&nbsp;&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In my own presentation I discussed the <a href="http://www.gwap.com/gwap/gamesPreview/espgame/">ESP Game</a> by Luis Ahn, which was later bought by Google and branded as <a href="http://images.google.com/imagelabeler/">Google Image Labeler</a>. Ahn does not hold back: "</span><span style="font-size: 110%;">We encourage people to do the work by taking advantage of their desire to be entertained."&nbsp; </span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><br /></span></p>
<p style="text-align: justify;"><img style="text-align: justify;" src="http://www.collectivate.net/storage/post-images/subvert.jpg?__SQUARESPACE_CACHEVERSION=1261254953650" alt="" /><br /><br /><br /><strong style="font-size: 110%;">Calling all mompreneurs </strong></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://vimeo.com/8203737">Jonathan Zittrain</a>, in what may have been the most entertaining, broadly accessible, and example-rich <a href="http://www.slideshare.net/trebor/ubicomp">presentation</a> at <a href="http://digitallabor.org/">IPF</a>, mostly probed cases of paid distributed labor. The often little known instances of distributed labor that he introduced included <a href="http://liveops.com/">LiveOps</a>, an outsourcing agency that enabled the Red Cross to recruit in-home freelance agents who processed 17,000 phone calls in the days after Hurricane Katrina had struck the Gulf Coast.&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Other illustrations of &ldquo;out crowding,&rdquo; mostly in the area of innovation, included <a href="http://www.crowdflower.com/">Crowdflower</a>, <a href="http://www.solvate.com/">Solvate</a>, <a href="http://innocentive.com/">Innocentive</a>, and the work of the <a href="http://www.xprize.org/">Prize Foundation</a>. At <a href="https://www.mturk.com/mturk/welcome">Amazon.com&rsquo;s Mechanical Turk</a> even &ldquo;the dimmest bulb&rdquo; can make a few dollars, as he put it. Our individual web searches powered <a href="http://www.google.org/flutrends/us/">Google&rsquo;s Flu Trend</a> map. &ldquo;Crowdsourced&rdquo; stock market predictions are at the core of <a href="http://www.piqqem.com/">Piqqem.com</a>.&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">But <a href="http://vimeo.com/8203737">Zittrain</a> also made some skeptical notes about specific services such as the well-known service Subvertandprofit.com, which allows its customers to secretly buy grassroots support. A reputable member of the Digg.com referral service, for example, may receive undercover-payments to &ldquo;dig&rdquo; (recommend) a site or product that he would otherwise not get excited about. In other words, given enough capital, your business can shine on the Social Web, even if it is mediocre. I&rsquo;d compare this to China's &ldquo;50 Cent Army,&rdquo; which consists of bloggers who get paid for pro-government comments or to Iran&rsquo;s 10,000 Basji paramilitary forces, which were ordered to start blogging. With Subvertandprofit.com, dollars can buy your business a good reputation on the Web.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://news.bbc.co.uk/2/hi/uk_news/magazine/5336284.stm">BBC News</a> reports that &rdquo;captcha sweatshops&rdquo; are used in the developing world &ldquo;where spammers employ humans to decode 12 'captchas' a minute, all day long." A &ldquo;captcha&rdquo; is a test used in computing to ensure that the response is not generated by a computer.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In a <a href="http://www.newsweek.com/id/225629">Newsweek article</a> entitled "Work the New Digital Sweatshops" he suggests to adopt labor standards to the Internet.</span></p>
<blockquote style="text-align: justify;">
<p><span style="font-size: 110%;">"For one thing, online contracting circumvents a range of labor laws and practices, found in most developed countries, that govern worker protections, minimum wage, health and retirement benefits, child labor, and so forth. Any jurisdiction that imposes restrictions on how crowdsourcing services operate might find itself bypassed..."&nbsp; <br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span style="font-size: 90%;"> -Jonathan Zittrain, <a href="http://is.gd/5jRC2">http://is.gd/5jRC2</a></span></span></p>
</blockquote>
<p style="text-align: justify;"><span style="font-size: 110%;">One of the most egregious businesses of this sort, not mentioned in this talk, however, is Txteagle (<a href="http://txteagle.com/">http://txteagle.com/</a>). The mobile outsourcing business Txteagle is built on the fact that cell phones are increasingly pervasive in the economically developing world. The idea is to find simple tasks that people in those desperately poor geographic regions can execute on their phones in return for micro-payments.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://digitallabor.org/speakers1/mark_andrejevic">Mark Andrejevic</a> <a href="http://vimeo.com/7697188">discussed</a> surveillance on the Social Web and in particular the world of sentiment analysis, with businesses aiming to predict the behavior of users. Companies like <a href="http://appirio.com">Appirio </a>are trying to piggyback on the social networks of their employees. &ldquo;Connect today&rsquo;s leading social network with your core business applications to engage a community and encourage word of mouth referrals.&rdquo;&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">"Social participation is the oil of the digital economy." (<a href="http://www.slideshare.net/trebor/institutionalized-free-labor-and-what-to-do-about-it">Scholz at IPF</a>) The economy becomes dependent on the free life fuel of billions of Internet users.&nbsp; Our online interactions grease the wheels of Wall Street, <a href="http://digitallabor.org/speakers1/dominic_pettman">Dominic Pettman</a> argued, pointing to McLuhan that "our whole life is now becoming a service environment." And Pettman continues: &ldquo;We are not so much the workers but the oil in this metaphoric rendering of the social factory." Perhaps businesses should rethink their unhealthy reliance on this oil of the digital economy. Fans are giving their work away for free in exchange for being ignored by corporations who own the original content. Fully tracked Facebook status updates take the place of leisurely conversations in the coffee house. All the data collected get entered into larger databases of imperious, powerful intermediaries for the purpose of data tattooing, &hellip; corporate or government surveillance.</span></p>
<h3 style="text-align: justify;"><span style="font-size: 110%;"><img src="http://www.collectivate.net/storage/post-images/oil.jpg?__SQUARESPACE_CACHEVERSION=1261335831877" alt="" /><br /><br />The Shifting Sites of Value</span></h3>
<blockquote>
<p style="padding-left: 30px;"><span style="font-size: 110%;">&nbsp;&ldquo;It is an ad-supported service. It is a free service.&rdquo;<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <span style="font-size: 90%;">&ndash; Mark Zuckerberg, Facebook, 2007<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; (reference Arikan, <a href="http://is.gd/5jXSK">http://is.gd/5jXSK</a>)</span></span></p>
</blockquote>
<blockquote>
<p style="padding-left: 30px;"><span style="font-size: 110%;">"If you have something that you don't want anyone to know, maybe you shouldn't be doing it in the first place."&nbsp;&nbsp; <br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <span style="font-size: 90%;">- Eric Schmidt, CEO Google</span><br /><br /></span></p>
</blockquote>
<p style="text-align: justify;"><span style="font-size: 110%;">Today we are witnessing the mysterious accumulation of value by Internet companies. This economic value is, in part, thoroughly speculative (think <a href="http://en.wikipedia.org/wiki/Tulip_mania">Tulip Mania</a> of 1637, <a href="http://en.wikipedia.org/wiki/Dot-com_bubble">dot com crash</a>, <a href="http://en.wikipedia.org/wiki/Lehman_Brothers">Lehmann Brothers</a>) and partially it indicates actual dollars in the bank. Play, for <a href="http://digitallabor.org/speakers1/brian_holmes">Brian Holmes</a>, becomes the lubricant to &rdquo;a perfected system of second-order cybernetic control over the consciousness of the [developed world's] middle-classes&hellip; a kind of world-creating and attention-channeling system [based on] contemporary social media, in its dominant corporate 2.0 forms"? (Holmes quoted by Kane, <a href="http://is.gd/5kkJn">http://is.gd/5kkJn</a>) <a href="http://digitallabor.org/speakers1/sean_cubitt">Sean Cubitt</a> asked in his insightful and charismatic <a href="http://www.slideshare.net/seancubitt/after-tolerance">talk </a>"When does the conflation of play and work begin to be intolerable&hellip;?" <a href="http://digitallabor.org/speakers1/pat_kane">Pat Kane</a>, on the other hand, <a href="http://vimeo.com/7698029">defended</a> the creative potential of play with colorful Scottish accent, culminating in him singing a song about the &ldquo;labors of love.&rdquo; Dominic Pettman is opting for a "a type of work which in fact sounds a lot like mindful, enigmatic, erotic play." (Pettman, <a href="http://is.gd/5oDvH">http://is.gd/5oDvH</a>) Historically, <a href="http://digitallabor.org/speakers1/alexander_galloway">Alexander Galloway</a> says, play was the childlike, innocent opposite to monetization; that ineffable thing that is unsullied by the exigencies of modern industrial life.&nbsp; But with the turn of the 21st century that is starting to go away. According to <a href="http://vimeo.com/6527166">Galloway</a>, Adorno was the first one to say that the playground is the factory.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Not all Internet companies, however, actually make the millions of dollars that are reputed to turn over. Google bought YouTube for $1.6 billion but what it gets back is cultural power instead of money. At the same time it is a question of perspective when some consultants claim that net companies are not making money in general. The $150 million that Facebook made last year solely from advertising is not negligible.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Every click, second of attention and piece of data input is slated to be sold; life itself is put to work. The Social Web is free for us to use but the middleman is paid with our data. We are willing give up our privacy or at least our anonymity for convenience and &ldquo;free services.&rdquo; Which price do we put on the psychological and political implications of this loss of privacy? </span><br />&nbsp;<br /><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/ken.jpg?__SQUARESPACE_CACHEVERSION=1261369634105" alt="" /><span class="thumbnail-caption" style="width: 498px;">Slide from McKenzie Wark's talk "Ideologies of Praxis"</span></span><br /><a href="http://www.slideshare.net/mckenziewark/ideologies-of-praxis"><br /></a><span style="font-size: 110%;">In his talk<a href="http://is.gd/5jLZV"> "Ideologies of Praxis</a>" <a href="http://vimeo.com/6428602">McKenzie Wark</a> brilliantly condensed the digital economy into a semiotic square. He related the gamer and the hacker to the worker and the hustler. He then associated online services to these digital figures. The "worker" appeared in proximity to LinkedIn and Facebook, the "gamer" near World of Warcraft.&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://is.gd/5k2wS">Rob Mitchell claimed</a> that &ldquo;active patient participation in health projects [is] not unlike active participation in sites like Facebook. Yet emphasis on &lsquo;health&rsquo; focuses our attention on different aspects of these information dynamics." <br /><br /> <a href="http://digitallabor.org/speakers1/alex_rivera">Alex Rivera</a>'s sci-fi thriller <a href="http://sleepdealer.com">Sleep Dealer,</a> which kicked off the conference, described a near-future scenario where (American) corporations can extract all the work from the (Mexican) worker without actually having to deal with bothersome issues that come with physical presence. They get all the work without the worker. <a href="http://digitallabor.org/speakers1/lisa_nakamura">Lisa Nakamura</a> cited the film in her talk.&nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong>Refusal/Withdrawal</strong></span></p>
<blockquote>
<p style="text-align: justify;"><span style="font-size: 110%;">"Obviously I&rsquo;m not convinced by the emancipatory possibilities of really-existing corporate social media."</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <span style="font-size: 80%;">-Brian Holmes <a href="http://is.gd/12Plv">http://is.gd/12Plv</a></span></span></p>
</blockquote>
<p style="text-align: justify;"><span style="font-size: 110%;"><br /><a href="http://brianholmes.wordpress.com/2009/11/06/is-it-written-in-the-stars ">Holmes</a> also asserted that ICT and education in the third world are &ldquo;a factory for producing the subjects of communicative capitalism.&rdquo; (Holmes, <a href="http://is.gd/1vKmr">http://is.gd/1vKmr</a>) Jonathan Beller supported this line of argumentation by drawing on classic media critiques, from Enzensberger&rsquo;s &ldquo;Anyone who expects to be emancipated by technological hardware or by a system of hardware however structured, is the victim of an obscure belief in progress" (1970) to Baudrillard&rsquo;s "terrorism of the code" (1972). (<a href="http://vimeo.com/7449081">Beller</a>, <a href="http://is.gd/5iUSy">http://is.gd/5iUSy</a>) Holmes also suggested that focusing on the Internet may altogether distract us from the most important issues of our time.&nbsp;&nbsp; <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In my presentation I suggested that there are no longer any unsullied outside spaces that escape the imperial Ferris Wheel of the corporate capture of value. Digital economies are always already hybrid. I suggested that feasible strategies of resistance have to arise within the belly of the beast. With help of the rhetoric of &ldquo;free speech&rdquo; commercial interests have colonized even the last corners of the Web and consequential political activism and commons-oriented practices now find ways to thrive on corporate, virtual &ldquo;real estate.&rdquo;&nbsp; <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Many conference speakers embraced critical perspectives about time spent on the Web. In my presentation I referred to Yochai Benkler who calculated that &ldquo;A billion people in advanced economies may have between two billion and six billion spare hours among them, every day.&rdquo; (Scholz, <a href="http://is.gd/5sK8d">http://is.gd/5sK8d</a>) Dominic Pettman suggested that we must learn to focus, and not be &ldquo;distracted by shrill solicitations from all 360 degrees (of which Twitter is only the most recent exacerbating example).&rdquo; (Pettman, <a href="http://is.gd/5nzeZ">http://is.gd/5nzeZ</a>) Eugene Lang undergraduate student L<a href="http://digitallabor.org/speakers1/luis_vincent_nunez">uis Nunez</a> said that "being tied to your Blackberry isn&rsquo;t as cruel as, say, being chained to the floor of a manufacturing plant; nevertheless the condition of bondage is almost as absolute." (Nunez, <a href="http://is.gd/5kl7i">http://is.gd/5kl7i</a>)<br /><br /> The theme of time theft and addiction repeatedly emerged in conference discussions. <a href="http://www.slideshare.net/guest3a676d/jonathan-beller-digital-ideology-presentation">Jonathan Beller</a> quoted Dallas Smythe: &nbsp;"As the Chinese emphasized during the Cultural Revolution, if people are spending their time catering to their individual interests and sensitivities, they cannot be using the same time to overthrow capitalist interest and to build socialism.&rdquo;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Time spent on Facebook, in other words, stops us from pursuing the expropriation of the expropriators.&nbsp; We cannot further the cause of the revolution because we are too busy checking news feeds. Would there really be an insurrection if millions of citizens had more time?</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://digitallabor.org/speakers1/ulises_mejias">Ulises Mejias</a> evoked the sirens of monopsony, which is a concept from economics that refers to a market in which several sellers offer goods or services but there is only one buyer. If you want your video to be seen by many people, YouTube is your only chance.If you want your micro-blog message to be read widely, Twitter is your must-go destination. If you post your grandma&rsquo;s favorite recipe on one of these platforms, ads will appear. They abuse your gift to the commons by turning a profit from it. <a href="http://vimeo.com/8067164">Mejias</a> pushes us to un-think the logic of the network. Deviation from social norms, he suggest, is only possible in private, surveillance-free spacees, away from the network. In search for the outside of networks, Mejias proposed a turn to the paranodal, the spaces between the network nodes.<br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In front of our very eyes, <a href="http://digitallabor.org/speakers1/hector_postigo">Hector Postigo</a> permanently deleted his Facebook account. He showed the messages that the site spits back to deter users from the act. Lovable profile photos of Hector's friends with captions like "Jonah will you" appeared. "Casey will miss you." "Sebastiano will miss you." Numerous conference speakers signed on to this gesture of refusal and withdrawal.<br /></span></p>
<p style="text-align: justify;"><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/Picture%208.png?__SQUARESPACE_CACHEVERSION=1261196202298" alt="" /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">I am increasingly convinced that such gestures of refusal are based on significant degrees of privilege. It is a classic double bind. Many students depend on their web-presence and the wealth of their networked weak ties when they enter the job market. On the other hand, such buy-in merely greases the wheels of the corporate Social Web. Is it responsible to suggest refusal of or withdrawal from the Social Web to students (especially those without a trust fund) unless you are sure that the revolution is knocking on the door tomorrow?<br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong>Alternatives</strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">While various speakers focused on theoretical analysis, others proposed hands-on alternatives, tangible suggestions that many of us could actually start to pursue today. Many speakers offered sharp analysis but were unspecific about proposals that could be implemented. The end of capitalism was a precondition for some scenarios. Notably, <a href="http://digitallabor.org/speakers1/christian_fuchs">Christian Fuchs </a><a href="http://vimeo.com/7954268">demanded</a> a Communist Internet for a Communist society.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">The question of new opportunities for solidarities came up several times. How can we rethink unionization and class, and how can net-workers demand a stake in the wealth that they are creating? With hundreds of millions of people flocking to the Social Web like moths to the light, is not there an opportunity for a collective self-becoming? It is time for Internet users to self-organize. If class consciousness is a thorny and perhaps unrealistic proposal for the realities of the Internet, maybe demands for a political consciousness are not quite as far fetched. Jonathan Zittrain concluded his talk with the call "Click workers of the world, unite!" but he did not detail his proposal. <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong>Expropriation Literacy: Unlearning to Labor</strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Suggesting new literacies for the future, <a href="http://digitallabor.org/speakers1/howard_rheingold">Howard Rheingold</a> contributed the most participatory presentation at IPF. Digital natives are familiar with digital systems but they often lack essential competencies, he argued. Pointing to self-organized educational projects like <a href="http://schoolofeverything.com/">The School of Everything</a> and <a href="http://www.supercoolschool.com/">The Supercool School</a>, Rheingold questioned the future of brick and mortar institutions for higher learning. <a href="http://digitallabor.org/speakers1/alexander_halavais">Alexander Halavais</a> reported that his former employer, a research university, had posed a challenge to the faculty: think of your students as hamburgers and tell us how you can turn out more hamburgers with fewer resources. How would you like your student today?</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">But while <a href="http://vimeo.com/8284794">Rheingold and Halavais</a> did not idealize the mentioned educational alternatives; they did allude to problems, namely branding and accreditation. </span><span style="font-size: 110%;">More specifically, Rheingold suggested &ldquo;crap detection&rdquo; as one of the most vitally important literacies for today&rsquo;s students.&nbsp; How do you &ndash;as a student or teacher-- detect when you are being manipulated?&nbsp;&nbsp; What are the ethics of encountering others in mediated social milieus?<strong> </strong>In my own presentation I specifically argued for the term expropriation literacy.<br /><strong><br /> Disrupt, Fake, Jailbreak</strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">IPF also asked to consider ways in which art and activism can reroute the locked-down technologies of transnational corporations and distribute digital labor according to more ethical terms. <a href="http://vimeo.com/7404991">Christiane Paul</a> was one of the most perceptive voices at the conference when it came to media art. <a href="http://digitallabor.org/speakers1/burak_arikan">Burak Arikan</a>&rsquo;s online project &ldquo;<a href="http://burak-arikan.com/meta-markets">Meta-markets</a>,&rdquo; for example, draws attention to &ldquo;user labor&rdquo; by offering a stock market for online assets. Your contributions to Flickr, Delicious, and Facebook are translated into stocks, which you can then trade with each other. At The Internet as Playground and Factory, <a href="http://digitallabor.org/speakers1/ursula_endlicher">Ursula Endlicher</a>, in collaboration with Arikan set up a performance, which took the code that drives Facebook as starting point for the choreography of their <a href="http://www.flickr.com/photos/newschool/4101614029/in/set-72157622674520059/">performance.</a> Several performers reenacted user labor on this social networking service.&nbsp; &nbsp;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">One lawyer got really confused by artist projects like <a href="http://digitallabor.org/speakers1/chris_barr">Chris Barr</a>&rsquo;s <a href="http://www.interruptions.org/">Bureau of Workplace Interruptions</a><strong> </strong>(<a href="http://www.interruptions.org">http://www.interruptions.org</a>). Barr offered workers a way out of their daily trot. Where else can you schedule a phone call by a fake corporate agent who reads you a poem while you are at work? <strong><br /></strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong><span class="full-image-float-right ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/kildall.jpg?__SQUARESPACE_CACHEVERSION=1261367063685" alt="" /><span class="thumbnail-caption" style="width: 498px;">Screen Capture from "No Matter" Project</span></span>&nbsp;</strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><br />With their project "No Matter," <a href="http://digitallabor.org/speakers1/scott_kiildall_and_victoria_scott">Scott Kildall and Victoria Scott</a> examined how the "freelance labor market" operates in Second Life (SL). They asked residents in the virtual world to build 40 "imaginary objects." In SL, fashion items and pre-fabricated structures like buildings cost between $0.56 and $37.42. For a model of Icarus's Wings, for example, <a href="http://is.gd/5g3xl">Kildall and Scott </a>paid $5.59&nbsp;for 45 hours of work to a SL resident who was based in Slovenia. That translates into an hourly age of $0.12. Why would residents possibly perform such underpaid labor? Kildall and Scott argued that this work allowed residents to reinvent themselves. They could establish a new reputation online that was not impacted by their age, class or nationality (<a href="http://www.nomatter.org/">http://ww.nomatter.org</a>).<br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Through the lens of his &ldquo;Implementation,&rdquo; a novel published on stickers, <a href="http://digitallabor.org/speakers1/nick_montfort">Nick Montfort </a>proposed the refusal of utility as a subversive strategy. In his <a href="http://vimeo.com/8204449">video interview</a> he stated that &ldquo;Linux is great but it is extremely useful. My own work is of very little if any utility.&rdquo; (<a href="http://nickm.com/implementation/">http://nickm.com/implementation/</a>)</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">&ldquo;We might be able to use today&rsquo;s networks as an axe for the frozen sea within us, a way of radicalizing ourselves along literary as well as political dimensions,&rdquo; Montfort said.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In his <a href="http://www.slideshare.net/darrenwershler/uncreative-class-slides">presentation</a>, <a href="http://digitallabor.org/speakers1/darren_wershler">Darren Wershler</a> reflected on the political economy of creativity, the way in which business gets interested in creativity while poetry moves toward uncreativity. Wershler took cues from the American poet Kenneth Goldsmith and his questioning of Richard Florida&rsquo;s discourse about creativity and business. What gets left out from mainstream narratives of creativity and what does a poetics of uncreativity have to say in order to form a critique of that? <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Where Wershler and Montfort brushed against common notions of creativity and utility, <a href="http://digitallabor.org/speakers1/geoff_cox">Geoff Cox </a>tackled the glorification of the social by presenting a collection of &ldquo;anti-social projects&rdquo; that he co-curated for Arnolfini, a contemporary arts organization<strong> </strong>in Bristol (<a href="http://project.arnolfini.org.uk/antisocial">http://project.arnolfini.org.uk/antisocial</a>). <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In line with such interventions that &ldquo;jail break&rdquo; social blockbuster services, I would also like to mention <a href="http://jacktoolin.net/my_space_for_your_life/index.html">Jack Toolin&rsquo;s &ldquo;My Space for Your Life.&rdquo;</a> Toolin states: &ldquo;The project consists of Facebook pages made for Iraqis killed during the Iraq invasion. These pages feature volunteers who have agreed to become the 'face' of these lost individuals, and they are circulated in Facebook through the act of 'friending.'&rdquo; <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In my own talk <span style="font-size: 110%;">"</span></span><span style="font-size: 110%;">The Expropriation of Digital Labor and What to Do About It,&rdquo;</span><span style="font-size: 110%;"> I introduced <a href="http://www.amazon.com/gp/cdp/member-reviews/A30TK6U7DNS82R">Kevin Killian</a> who writes autobiographical fiction in Amazon.com&rsquo;s book review section. In addition, I presented project NOSO. &ldquo;The NOSO experience offers a unique opportunity to create NO Connections by scheduling  NO Events with other NO Friends.&rdquo; (<a href="http://nosoproject.com/about/">http://nosoproject.com/</a>)<br /> <br /><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/frank.jpg?__SQUARESPACE_CACHEVERSION=1261367572117" alt="" /><span class="thumbnail-caption" style="width: 498px;">Frank Pasquale</span></span><br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong>Legal Interventions</strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In an inspiring and clear <a href="http://www.slideshare.net/FrankPasq/pasquale-distributive-justice-online">presentation</a> </span><span style="font-size: 110%;"><a href="http://digitallabor.org/speakers1/frank_pascale">Frank Pasquale</a> </span><span style="font-size: 110%;">questioned the justice of wealth distribution. Pasquale challenged us to think if it is just that companies like Facebook or Google reap the benefits from our online activities in such a centralized and non-transparent way. How much power do we as a society give to major sites on the Internet? Should not critically important digital public spheres be regulated in some way? Giving the example of<em> </em>Google&rsquo;s protected algorithms, Pasquale reminded us of the sharply defined asymmetries between users and intermediaries. What are the temptations of dominance, he asked. Should Google be able to tier access to Google Books? Imagine Harvard University, for example, which could get unlimited access to the full text of all scanned books for $10 million a year while other universities would only obtain a &ldquo;disabled version.&rdquo; Should Google be able to manually change rankings: uprank sites by business partners, down rank or eliminate sites that sue the company (or those that criticize Google executives)? Should Facebook be able to kick off its members without due process or prevent them from accessing their data? Pasquale quoted one blogger who wrote: &ldquo;Facebook is shutting down accounts of users who are exhibiting any behavior it finds remotely suspicious.&rdquo;</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Control is not merely taking place on the content level but also on the level of infrastructures, <a href="http://digitallabor.org/participants/laura_e_denardis">Laura DeNardis</a> argued in <a href="http://ia341332.us.archive.org/1/items/ipf09_1114_kellen_CD1/IPF09_1114_Kellen.ogg">her talk</a>. Technological rule making directly determines civil liberties online. She argued that technical standards like mp3, mpg, bluetooth, IP, and HTTP are politics by other means and that these standards are increasingly determined by private or hybrid (private/public) institutions, which become points of control over global information architectures. DeNardis provided the example of protests against the ISO Office Open XML standard in India and Norway. A small group of people has control over the entire Internet. Design decisions can have serious consequences for our freedom (think privacy/encryption). Power comes with authority over interoperability. Victims of hurricane Katrina could not register for FEMA help unless they used the Internet Explorer browser. There are significant battles on this level. Technical standards are politics b other means.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/ipf09.jpg?__SQUARESPACE_CACHEVERSION=1261336896078" alt="" /></span><br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Following the trajectory of legal proposals, <a href="http://digitallabor.org/speakers1/james_grimmelmann">James Grimmelman</a> suggested four ethical scripts for copyright law: 1) Respect copyrights. (Fandom encouraged and channeled.) 2) Don't sue your customers ("Tired of being treated like a criminal for sharing music online?" EFF) 3) Software should be free. 4) I like to share. ("Sharing" valorized as showing respect for the audience.) (<a href="http://www.scribd.com/doc/22393902/Ethical-Visions">http://www.scribd.com/doc/22393902/Ethical-Visions</a>)&nbsp; </span><span style="font-size: 110%;">While Free and Open Software is most famous for inspiring others to rethink, often drastically, the direction, purpose, and use of intellectual property law, <a href="http://vimeo.com/7122412">Biella Coleman</a> instead focused on the&nbsp; dual existence of individuality and collectivism among Free Software developers to assess the strength of this domain in political terms. </span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://vimeo.com/8165014">Grimmelman</a>&rsquo;s four ethical scripts for copyright law related to <a href="http://digitallabor.org/speakers1/abigail_kosnik">Abigail De Kosnik&rsquo;s</a> p<a href="http://www.slideshare.net/gaildekosnik/fan-labor-as-paid-labor">resentation </a>about free fan labor. Fans write fiction. They build objects. Fans produce videos, fan mashups, and curatorial music mixes. Hollywood simply cannot keep up with really popular properties. The copyright holders of the source material indirectly profit from fan labor, <a href="http://vimeo.com/7956499">De Kosnik </a>argued. Fans service marketing campaigns. Fans popularize movies and books, or rock bands. Fans promote and market products. Their work engages people; it influences them. De Kosnik suggests that changes to copyright law should &ldquo;force copyright holders to accept fans&rsquo; right to profit from transformative works.&rdquo; (De Kosnik <a href="http://is.gd/5k37o">http://is.gd/5k37o</a>) Today, production and fan creations exist side by side and for viewers, the differences between these two kinds of material are fairly small, De Kosnik argued. <br /></span></p>
<p style="text-align: justify;"><strong>A Note on Conferencing</strong></p>
<p style="text-align: justify;"><span style="font-size: 110%;">Women are often underrepresented at technology-related conferences. Gender equality is a central concern of my event-based practice. With roughly a third of the participants being women, The Internet as Playground and Factory conference included more women than most such events. While I am not especially proud of this ratio, it is the result of intensive focus on women in the field. And while gender equality was constantly on my mind when convening this event, the main goal of the conference was to bring together people who work (more or less directly) on issues specifically related to digital labor.<strong><br /></strong></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><strong><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/portraits.jpg?__SQUARESPACE_CACHEVERSION=1261335661848" alt="" /></span></strong>The topic of digital labor offered an invitation to dust off discourses about expropriation of invisible and "unfree" labor (from commercial surrogacy and traditional women's labor to Facebook and sites like <a href="http://23andme.com">23andme.com</a>), control, audience manufacture, internet governance, the wrongness of wealth distribution, data portability, the instrumentalization of fun, the temptations of dominant expropriators, and media literacies for the future.<br /><br /> Conferences matter. If done right, they can turn the focus of a few thousand people to a set of fundamental questions of our time. Conferences have the potential to make professional friendships more durable and to build community.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">The home base of this conference was the <a href="https://mailman.thing.net/mailman/listinfo/idc">iDC mailing list</a>. We used Seesmic, <a href="http://twitter.com/idctweets">Twitter,</a> Facebook, <a href="http://trebors.tumblr.com/post/257594846/documents-from-the-internet-as-playground-and-factory">Tumblr</a>, <a href="http://vimeo.com/user2103510/videos">Vimeo</a>, and <a href="http://www.flickr.com/photos/newschool/sets/72157622674520059/">Flickr</a> to expand the conversation and open up windows into the rich online discussion.&nbsp; <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">A developer at an Internet search company politely declined my conference invitation stating that he sensed a slightly anti-capitalist attitude in my introductory text. I was not sure what bugged me more: the "slightly" or the "anti-capitalist." But he was right: this conference proposed a critical approach to Internet Studies. I aimed to frame a broadly comprehensible analysis and critique of the complex nexus of labor and networked sociality and I very much hoped that speakers would offer responses to what we can do in response to the awareness of patterns of expropriation. <br /><br /> I expected that critical perspectives would be stated in a way that is accessible to more than a small, select group of learned media scholars and I think that we reached a good mix. Speakers who came for dense theory found likeminded others while those who searched for example-rich and exoteric talks also got their fix.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/Picture%206.png?__SQUARESPACE_CACHEVERSION=1261367833107" alt="" /><span class="thumbnail-caption" style="width: 501px;">Eugene Lang students Idil Abshir and Andre Singleton at IPF</span></span><br /><br />On his blog &ldquo;A thaumaturgical compendium&rdquo; Alexander Halavais voiced his concern that "in the discussion that preceded the conference there was ... particular focus on fairly abstract critical theory. "Over the years," Halavais writes, "my enjoyment of super-abstract cultural theory has given way to tolerance. Too often, I worry that the language has obscured the precision of the ideas. Luckily, the pendulum has swung back from the extreme end of this, where verbal gymnastics was valued more than real ideas, and theorist rock stars attracted audiences not because of what they had to say but how they had to say it." Some first year students for whom IPF was also the first conference they had attended, would have been on board with Halavais&rsquo; statement. One or two presentations were not even accessible for the most conference-traveled of cultural theorists. I worry about that. While I understand that it can be pedagogically wise to show students that there is lots to learn and while I also acknowledge that there is value in speaking high theory to a handful of insiders, it does not help if young people get disheartened by our professional allures (e.g., extended deliberations about academic standing, text-heavy slides, incomprehensible lingo). In my opinion, comprehensibility is key especially if we aspire to inspire behavioral change. <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">In her <a href="http://www.slideshare.net/trebor/public-media">presentation</a>, <a href="http://digitallabor.org/speakers1/ellen_goodman">Ellen Goodman</a>&rsquo;s thought through the future of public media. She &nbsp;quoted from the Public Broadcasting Act of 1967:&nbsp; &ldquo;foster delivery of public telecommunications services; that constitute a source of alternative services for all, and that serve as valuable local community resources through outreach; that are responsive to local and general interests, expressing diversity and excellence, involving creative risks, and addressing the needs of unserved and underserved audiences, particularly children and minorities. &rdquo; Where are the not-for-profit social networking services that reached any kind of significant membership? The independent citizen media project Crabgrass is one contender in this field but where are the others? Surely, Wikipedia is often quickly cited but this encyclopedia is not a practical model for the entire Internet. Rather, Wikipedia is the exception. Craigslist, however, could be serviceable as a model for online businesses that do not solely aim for profit maximization.</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><span class="full-image-block ssNonEditable"><a href="http://www.mindmeister.com/28717702/everything-open-and-free"><img src="http://www.collectivate.net/storage/post-images/map.jpg?__SQUARESPACE_CACHEVERSION=1261367903612" alt="" /></a><span class="thumbnail-caption" style="width: 498px;">Mind map by Michel Bauwens</span></span><br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;"><a href="http://digitallabor.org/speakers1/michel_bauwens">Michel Bauwens</a>, founder of the <a href="http://blog.p2pfoundation.net/">P2P Foundation</a> in Bangkok (Thailand), presented a birds-eye vision of peer production that connected with social movements worldwide (e.g. Argentinean workers cooperatives). Bauwens referred to a map that charts the territory of practices that are committed to open access to knowledge, open infrastructures, open formats, and commons-oriented practices. (Bauwens, <a href="http://is.gd/5jPvc">http://is.gd/5jPvc</a>) My question for Michel Bauwens (and Yochai Benkler) relates to their visionary but also utopian characterization of the blossoming landscapes of peer producers whose contributions to the commons are not driven by monetary incentives. People contribute to <a href="http://setiathome.ssl.berkeley.edu/">Seti@Home</a>, they gradually reﬁne articles in <a href="http://lostpedia.wikia.com/wiki/Main_Page">Lostpedia</a> (the encyclopedia for the TV show Lost), they upload how-tos to <a href="http://howcast.com">howcast.com</a> or <a href="http://wikihow.com">wikihow.com</a>. They may help to tag photos from the Library of Congress on the <a href="http://www.flickr.com/commons?GXHC_gx_session_id_=6afecb2055a3c52c">Flickr Commons</a>. The social web facilitates a growing number of sharing but it facilitates this sociality on the proprietary &ldquo;real estate&rdquo; of commercial platforms. The future may be user-led but each click for the benefit of the commons is also potential, profit in the pockets of the intermediaries.&nbsp; <br /></span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">"We talk about things as if we know what they are," <a href="http://digitallabor.org/speakers1/orit_halpern">Orit Halpern</a> contended in her memorable presentation. Halpern wants us to envision new types of economies and she uses history to denaturalize our assumptions about the present. She wants to make things more curious, interesting and playful. What kind of questions would create new ideas about how to act? One cannot act without a dream of what one wants to put in the world. History forces us to ask: "What world would we like to live in? What forms of economy, technology, and subjectivity do we desire? Can we rethink technology and ourselves in new metaphors, and under different terms? How can we create a future that does not replicate the past?"</span></p>
<p style="text-align: justify;"><span style="font-size: 110%;">The Internet as Playground and Factory Conference was the first conference in a series of biennial conferences about the politics of digital media at <a href="http://www.newschool.edu/lang/">Eugene Lang College The New School for Liberal Arts</a>.</span></p>
<p style="text-align: justify;"><a href="http://digitallabor.org/"><span style="font-size: 110%;">http://digitallabor.org/</span></a><span style="font-size: 110%;"><br /> Documents:</span><a href="http://is.gd/5slWs"><span style="font-size: 110%;"> http://is.gd/5slWs</span></a></p>
<p style="text-align: justify;"><span style="font-size: 110%;">&nbsp;</span></p>]]></content></entry><entry><title>On MTurk, Some Examples of Exploitation</title><id>http://www.collectivate.net/journalisms/2009/6/11/on-mturk-some-examples-of-exploitation.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2009/6/11/on-mturk-some-examples-of-exploitation.html"/><author><name>[Trebor]</name></author><published>2009-06-11T10:40:49Z</published><updated>2009-06-11T10:40:49Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p style="text-align: justify;"><span style="font-size: 130%;">I wrote the following text some time ago. It is part of a much longer piece. I'm posting it now as it relates to an <a href="https://lists.thing.net/pipermail/idc/2009-June/thread.html">ongoing discussion on the iDC list</a>. </span><br />=</p>
<p style="text-align: justify;"><span style="font-size: 130%;">Today, the means of communication are in the hands of Internet users but the environments in which those tools reside are privately owned. Is this really exploitation or does it stop at expropriation? And if there are examples of exploitation: Are they endemic or are they merely the exception? </span></p>
<p style="text-align: justify;"><span style="font-size: 130%;">Exploitation in new social media contexts is not fertilized by sweat and watered by the tears of the seven year-old child that works sixteen-hour days in the factory. The kind of exploitation that Marx described in Kapital still exists today but, in the face of globalization, it is far less visible. Just think </span><span style="font-size: 130%;">about the one hundred thousand &ldquo;gold farmers&rdquo; who worked in China&rsquo;s gaming factories, some four years ago -- far outside urban areas, earning virtual currency by shooting virtual enemies in online games (<a href="http://www.juliandibbell.com/texts/goldfarmers.html">Dibbell 2007</a>). They slept in rural dorms far from home. However, dazzling stories like this are not representative for what happens online. <br /></span></p>
<ul style="text-align: justify;">
<li><span style="font-size: 130%;"><em>Social participation is -- for the very most part -- mutually beneficial for Internet users and the operators of social media services.</em> <br /></span></li>
</ul>
<p style="text-align: justify;"><span style="font-size: 130%;">What may look like exploitation at first, is -- on reflection-- a situation in which users benefit from each other while corporate hosts capture value from them, the end-users of their product. </span></p>
<p style="text-align: justify;"><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;">There are some moments of exploitation where netizens are utilized in an unjust, cruel, or selfish manner or where they are unfairly used as a resource against their will or without their consent and knowledge (i.e., by way of hidden, deceptive, or contracts written in <em>legalese</em>). Exploitation also entails not offering workers adequate remuneration for their labor.</span></p>
<p style="text-align: justify;"><span style="font-size: 130%;">Generalizations about exploitation in the context of social media services sometimes fall short because they don't take the specifics of a given tool or platform into account. </span><span style="font-size: 130%;">Amazon.com is a good example of the complexities of simultaneous pleasure, usefulness, and exploitation at work in one company. (I'd not say that the cadre of people who write book reviews on Amazon.com are exploited.)</span><span style="font-size: 130%;"> </span><span style="font-size: 130%;">To determine if Amazon.com is exploitative we need to discuss it through the lens of specific case studies. </span><br /><span style="font-size: 130%;"><br />I'm thinking about labor and the Internet for a few years now but I can only point to a few instances where exploitation in the most technical sense of the word is apparent. <a href="https://www.mturk.com/mturk/welcome">Mechanical Turk</a> is one of these examples. <br /><br /><strong>Amazon&rsquo;s Mechanical Turk; Instances of Day Labor in the Virtual World</strong><br />Mechanical Turk, also referred to as MTurk, was launched in 2005. As one of Amazon.com's services, it enables computer programs to coordinate the use of online volunteer workers to perform tasks, which computers are unable to do. <br /><br />In their terms of service, Amazon refers to the workers as &ldquo;providers&rdquo; and the employers as &ldquo;requesters.&rdquo; &ldquo;Providers&rdquo; can work from home and remain fairly anonymous. Common tasks that are executed through MTurk include translations, the categorization of information, the editing of marketing content, the writing of reviews for websites or books and the transcription of audio or video files. One MTurk a "provider," interviewed for a <a href="http://www.salon.com/tech/feature/2006/07/24/turks/index1.html">Salon.com article</a>, describes his work<br /></span></p>
<p style="padding-left: 30px; text-align: justify;"><span style="font-size: 130%;">"My job is to categorize the shoe based on a list of basic colors: Is it red, blue, pink, purple, white, green, yellow, multicolored? A description next to it reads 'Pink Lemonade Leather.' This is not exactly a brain-busting task; I'm doing it while talking to a friend on the phone. With the mouse, I check a box marked 'pink.' In the next split second, a picture of a navy blue shirt appears. I check 'blue.' Assuming my answers jibe with those of at least two other people being paid to scrutinize the same pictures, <em>I've just earned 4 cents</em>."</span></p>
<p style="text-align: justify;"><span style="font-size: 130%;"><br />MTurk was named after the 18th century chess playing automaton "the Turk," a wooden figure with a turban that seemed to have the ability to think. With a human chess expert hidden inside it, &ldquo;the Turk&rdquo; turned out to be a hoax. Conversely, Amazon.com founder Jeff Bezos is proud of the fact that MTurk is a platform that coordinates the human work force of thousands of people.<br /></span><span style="font-size: 130%;"><br />All you need to participate is a computer, a net connection, and an Amazon account. The &ldquo;providers&rdquo; perform activities that computers are not capable of (e.g., image recognition). Workers answer questions like &ldquo;Do the images on this website match with the content?&rdquo; Some employers on MTurk are using people as computers; which fulfills Henry Ford&rsquo;s vision of turning workers into intensely exploitable second grade machines. <em>It's not the machine that is using us; it's the firms that use MTurk that put us in the working position. </em><br /><br />"Turkers" enter into a situation of control: Sitting in their homes, their every mouse click is monitored. While the pay rates for "providers" are lousy, far below minimum wage, &ldquo;requesters&rdquo; get menial tasks done on the cheap. Employers also have the option of rejecting the work, which is one way of not paying the workers at all after the task is completed. The word exploitation really does fit here because the workers are often dramatically underpaid. <em>One worker, for example, was paid $8 for a transcript of 45 minutes of video. </em><br /><br />The language of &ldquo;requesters&rdquo; and &ldquo;providers&rdquo; obfuscates the real labor relationships at play. The original language on the MTurk website was changed from &ldquo;providers&rdquo; to &ldquo;workers&rdquo; but is still maintained in the <a href="https://www.mturk.com/mturk/conditionsofuse">terms of service</a> (accessed April 17, 2009). Employers are still called "requesters" on the website.<br /><br />CEOs felt emboldened by the &ldquo;cost-saving&rdquo; MTurk venture, which has cut their expenses by thousands of dollars. Companies who pay contracted workers through Amazon.com do not have to file taxes and they skirt minimum-wage legislation and health insurance. The mentioned article contends that there is something a little disturbing about a billionaire like Jeff Bezos dreaming up new ways of getting ordinary folks to do work for him for pennies. However, Bezos retorts that MTurk is a marketplace where folks who have work meet up with folks who want to do work. <br /><br />To some degree this sentiment is echoed in Lawrence Lessig&rsquo;s Remix where he suggests that &ldquo;If those within the sharing economy begin to think of themselves as tools of a commercial economy, they will be less willing to play (177). In addition, he says that &ldquo;no one builds hybrids on community sacrifice.&rdquo; (244) <br /><br />Bezos objects to <a href="http://www.salon.com/tech/feature/2006/07/24/turks/index1.html">Salon.com</a>&rsquo;s insistence on calling MTurk a &ldquo;virtual sweatshop.&rdquo; Both Lessig and Bezos propose that people would not knowingly enter situations of economic exploitation or sacrifice. Historically, however, that has not been the case; the exploited may well be aware of their exploitation but they may simply have to enter those relationships out of economic desperation. <br /><br />One &ldquo;Provider&rdquo; (worker) describes a task he performed.</span></p>
<p style="padding-left: 30px; text-align: justify;"><span style="font-size: 130%;"><br />"I first accepted a job from <a href="http://ContentSpooling.net">ContentSpooling.net</a> that asked me to write three titles for an article about annuities and their use in retirement planning. Then I viewed a series of images apparently captured from a vehicle moving through the gray suburbs of North London, and, at the request of Geospatial Vision, a division of the British technology company Oxford Metrics Group, identified objects like road signs and markings. For all this, my Amazon account was credited the lordly sum of 12 cents."</span></p>
<p style="text-align: justify;"><span style="font-size: 130%;"><img src="http://www.collectivate.net/storage/Picture 5.png?__SQUARESPACE_CACHEVERSION=1244719329342" alt="" /></span></p>
<p style="text-align: justify;"><span style="font-size: 130%;">Concomitantly, the &ldquo;<a href="http://www.amazon.com/gp/feature.html?ie=UTF8&amp;docId=1000291661">Amazon Remembers</a>&rdquo; iPhone application invites users to take a photo of a product (e.g., a chair) and send it to Amazon. Within roughly a day the application provides a link to the user who can now buy this product (or a similar one) on Amazon. The application is not based on image recognition software, as it may seem at first, but on the labor of a workforce that is globally distributed. Once a photo has been submitted, it is made available on MTurk where workers try to match the photo with existing products in Amazon.com&rsquo;s database. If they succeed, Amazon pays them 10 cents. <br /><br />It&rsquo;s hard to believe that anybody would actually perform such &ldquo;human initiated task&rdquo; (HIT) for 10 cents but some workers say that they are simply multitasking. <br /><br />For the most part, Amazon.com is enabling theses labor practices; it is not actually functioning as &ldquo;requester&rdquo; (employer) itself; "Amazon Remembers" iPhone application is an exception. They provide the MTurk platform and employers use it. Beyond that, Amazon does not want to get involved. <em>Through this hands-off approach, Amazon technically facilitates and condones the exploitative practices on MTurk, its code choreographs the interaction. </em><br /><br />More than half of the people who are using this web service live in the United States but close to 32% of MTurk workers reside in <a href="http://www.alexa.com/siteinfo/mturk.com ">India</a> where a few dollars may make a bigger dent. Many more people would work for Mechanical Turk if banking access would not be a conditon for participation.<br /><br />"Turkers" in the US</span><span style="font-size: 130%;"> use this "crowdsourcing marketplace" sometimes as a form of entertainment. They appreciate the repetitiveness of the tasks, the meditative absorption. The biggest trick that Mechanical Turk ever pulled off was to make workers believe that what they do is not really work. That, at least, is somewhat suggested by the slogan on MTurk's coffee mugs: <em>"Why work if you can turk?"</em><br /><br />Not everybody who uses this</span> <span style="font-size: 130%;">"marketplace for work</span><span style="font-size: 130%;">" participates in order to make money. In fact, some middle class users in the United States are reported to have used the platform merely as entertainment --an eccentric hobby-- which they enjoy with full awareness of the pitiful compensation. The repetitiveness of tasks and the duration reminds some of them of a video game. "It doesn't add up to a lot of money per hour but if I'm sitting there watching TV anyway, it's more than I'd make just sitting there," one worker wrote. <br /><br />MTurk, for these workers, is not primarily about the money, it&rsquo;s a pastime just like doing crossword puzzles. Indeed, many of the traditional pastimes have, at least partially, migrated online. From playing Chess or Scrabble, to quilting bees, and book clubs, people spend their free time together to enjoy each other&rsquo;s company and be creative. In the case of Mturk, however, creativity and togetherness does not come into it. </span></p>
<p style="text-align: justify;"><span style="font-size: 130%;">MTurk is a fairly new environment, a novel and quirky activity in the eyes of many. (Remember the hype around Second Lifea few years ago?) </span><span style="font-size: 130%;">It is not deceptive; there are no hidden agendas but it is exploitative simply because there are many instances in which workers are not paid anywhere near to what they deserve. <em>The fact that &ldquo;requesters&rdquo; can find &ldquo;turkers&rdquo; (as workers call themselves) to work for them does not mean that it pays them fairly. </em>Many workers may simply be forced to take whichever job (i.e., or HIT as it is called) that they can get. Consider that most users have no college education and fall into two age groups: 18-24 or above 65. Working for MTurk may simply be one of a set of desperate and equally bad options. <br /><br />Reports also showed that &ldquo;requesters&rdquo; (employers) found ways of simply not paying their workers by rejecting the work after it was already executed. "The creativity of business in avoiding its responsibility to workers never ceases to astound. It's day labor in the virtual world," a lawyer for the National Employment Law Project points out. No minimum wage, no overtime, no unemployment insurance, no health insurance, and no taxes.<br /><br />In the netherworld of networked labor today's coal miners of sorts may well sit, type, and stare at screens; all day, every day and it ends up hurting them. <em>It hurts them in ways that are slow enough and subtle enough to steal up on them</em> (Sterling, 134). <a href="http://nigelthrift.files.wordpress.com/2008/02/reinventing.pdf">Nigel Thrift</a> summarizes it succinctly:</span></p>
<p style="padding-left: 30px; text-align: justify;"><span style="font-size: 130%;">"When a commodity produces a sufficiently compelling experience environment, consumer communities will evolve beyond a company&rsquo;s control, thus directly co-creating value and providing the firm with a new terrain of profit/ generalized outsourcing/ if it is nimble enough to adapt to the new conditions." (Thrift 290)</span></p>
<p style="text-align: justify;"><span style="font-size: 130%;">MTurk offers an odd and engaging experience, which attracts users into a web of exploitation. Who are we becoming by offering ourselves up like that? What does it say about our sense of self-worth when we have to resort to click work to relax? <br />Do we really feel so powerless that it becomes our life project to &ldquo;kill time.&rdquo; Surely, for some people, alos in the US, it's a supplement to their income but I can't help but think what all of this cognitive surplus could do if put to collective use (i.e., just think of the <a href="http://www.theextraordinaries.org/">The Extraordinaries)</a>. <br /><br />Work that is executed through Mturk does not feed back into the commons but it mostly benefits the enterprise. Today the technological tentacles of the enterprise reach deep into our homes where they facilitate the extraction of even the smallest willingness and ability to work. <br /><br /><img src="http://www.collectivate.net/storage/post-images/Picture 7.png?__SQUARESPACE_CACHEVERSION=1244719502795" alt="" /><br /><br />A former graduate student a UCLA&rsquo;s Design/Media Arts program created a project that playfully engaged with the exploitative nature of MTurk. He invited &ldquo;turkers&rdquo; to draw a sheep facing to the left" at a rate of 2 cents per sheep. After 40 days 7,599 workers had contributed 12,000 sheep. The artist Aaron Koblin, then sold sets of 20 sheep for $20 at Sheep Market (<a href="http://thesheepmarket.com">http://thesheepmarket.com</a>), which upset some of the workers: "Does anyone remember signing over the rights to the drawings?" In fact they did. In the terms of service, Koblin had indeed specified that workers lose all ownership rights. <br /><br /> Other art projects, using MTurk include the <a class="taggedlink" rel="nofollow" href="http://www.youtube.com/user/MechanicalOlympics">Mechanical Olympics's Channel</a> and <a href="http://www.bicyclebuiltfortwothousand.com/">Bicycle Built for Two Thousand</a>.</span></p>
<p style="text-align: justify;">&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><img src="http://www.collectivate.net/storage/post-images/Picture%203.png?__SQUARESPACE_CACHEVERSION=1244833645647" alt="" /></span></p>
<p style="text-align: justify;"><span style="font-size: 130%;"><em><br />Not all work that is offered through MTurk is exploitative and most workers may not feel used at all.</em> Remuneration for many "HITs" is, in fact, appropriate. However, <em>some of the cases of waged labor on MTurk are clearly exploitative but within a larger context of the Web they remain fairly isolated examples. <br /><br /></em>Amazon.com set up a scenario that allows for exploitative relationships to take shape, it sees those unfold, and it does not intervene (as if it were a neutral bystander). Some employers who use MTurk abuse their workers who put themselves into this weak position.&nbsp; This does not excuse the exploitation that Amazon.com facilitates (and simultaneously ignores) and that&nbsp; some "requesters" execute. At the same time, MTurk also signifies how desparate many workers must be who indeed use the platform to make ends meet.<br /></span></p>
<p style="text-align: justify;">&nbsp;</p>
<p style="text-align: justify;"><span style="font-size: 120%;"><br /></span></p>]]></content></entry><entry><title>Presentation on Twitter and the 100th Anniversary of the Futurist Manifesto</title><id>http://www.collectivate.net/journalisms/2009/2/28/presentation-on-twitter-and-the-100th-anniversary-of-the-fut.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2009/2/28/presentation-on-twitter-and-the-100th-anniversary-of-the-fut.html"/><author><name>[Trebor]</name></author><published>2009-02-28T21:21:36Z</published><updated>2009-02-28T21:21:36Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 120%;">With not much time left to write here this week, I am adding this presentation. </span></p>
<div id="__ss_1058085" style="width: 425px; text-align: left;"><a style="font:14px Helvetica,Arial,Sans-serif;display:block;margin:12px 0 3px 0;text-decoration:underline;" title="Twitter and Futurism Week5 Participation Literacy" href="http://www.slideshare.net/trebor/twitter-and-futurism-week5-participation-literacy?type=presentation">Twitter and Futurism Week5 Participation Literacy</a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=week5_literacy-090222212254-phpapp02&stripped_title=twitter-and-futurism-week5-participation-literacy" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=week5_literacy-090222212254-phpapp02&stripped_title=twitter-and-futurism-week5-participation-literacy" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object>
<div style="font-size: 11px; font-family: tahoma,arial; height: 26px; padding-top: 2px;">View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/trebor">Trebor Scholz</a>. (tags: <a style="text-decoration:underline;" href="http://slideshare.net/tag/friendship">friendship</a> <a style="text-decoration:underline;" href="http://slideshare.net/tag/history">history</a>)</div>
</div>]]></content></entry><entry><title>A short spring note</title><id>http://www.collectivate.net/journalisms/2009/1/31/a-short-spring-note.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2009/1/31/a-short-spring-note.html"/><author><name>[Trebor]</name></author><published>2009-01-31T19:18:46Z</published><updated>2009-01-31T19:18:46Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="font-size: 120%;">It has been a while since I wrote here last. In the meantime we had a baby and spent three months in <a href="http://www.flickr.com/photos/treborscholz/sets/72157607290453919/">Northampton</a> where I very much enjoyed research time in the library at pictoresque<a href="http://www.flickr.com/groups/smithcollege/pool/"> Smith College</a>. I was tenured in Media Study at SUNY Buffalo and almost simulatenously hired by <a href="http://newschool.edu/lang/">Eugene Lang College</a> (<a href="http://newschool.edu/">The New School University</a>). I just finished the first week of teaching at <a href="http://www.flickr.com/photos/treborscholz/3218340339/">Lang</a> and it has been a blast. I very much enjoyed the students and I am excited about the courses that I am teaching. You can browse through my introductory presentations, which are references for students rather than lectures. </span><span style="font-size: 120%;">I also <a href="http://www.slideshare.net/trebor/introduction-the-social-media-syllabus-presentation">re-worked my existing Social Media</a> course.</span></p>
<p>&nbsp;</p>
<p><a style="margin: 12px 0pt 3px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 110%; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;" title="Global Internet Activism. Introduction." href="http://www.slideshare.net/trebor/global-net-activism-introduction-presentation?type=presentation">Global Internet Activism (Technology-enabled activism outside the United States and Europe). </a><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=globalnetactivismintro-1233033753788249-1&stripped_title=global-net-activism-introduction-presentation" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=globalnetactivismintro-1233033753788249-1&stripped_title=global-net-activism-introduction-presentation" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object> View more <a style="text-decoration:underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration:underline;" href="http://www.slideshare.net/trebor">Trebor Scholz</a>.</p>
<p>&nbsp;</p>
<p><a style="font-size: 120%;" href="http://www.slideshare.net/trebor/participation-literacy">Participation Literacy</a></p>
<p><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=scholzparticipationlit-1233416241291008-3&stripped_title=participation-literacy" /><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=scholzparticipationlit-1233416241291008-3&stripped_title=participation-literacy" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object></p>
<p>&nbsp;</p>]]></content></entry><entry><title>Beth Coleman, Free Culture, and the Network Effect</title><id>http://www.collectivate.net/journalisms/2008/5/13/beth-coleman-free-culture-and-the-network-effect.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2008/5/13/beth-coleman-free-culture-and-the-network-effect.html"/><author><name>[Trebor]</name></author><published>2008-05-13T21:14:37Z</published><updated>2008-05-13T21:14:37Z</updated><content type="html" xml:lang="en-US"><![CDATA[<span class="sizeGreater20">About two weeks ago I had the pleasure of speaking at MIT's <a target="_blank" href="http://www.zonesofemergency.net/2008/04/22/ntone-ejabe-trebor-scholz-on-a-conversational-revolution-in-the-joan-jonas-performance-hall/">Zones of Emergency</a>. </span><span class="sizeGreater20">Like at previous occasions I tremendously enjoyed discussions there; what an inspiring intellectual community. </span><br /><span class="sizeGreater20"><br />  <div style="width: 425px; text-align: left;" id="__ss_402473"><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=mit0508-1210689160185073-9" /><param name="quality" value="high" /><param name="menu" value="false" /><param name="wmode" value="" /><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=mit0508-1210689160185073-9" wmode="" quality="high" menu="false" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" width="425" height="355"></embed></object><div style="font-size: 11px; font-family: tahoma,arial; height: 26px; padding-top: 2px;"><a href="http://www.slideshare.net/?src=embed"><img src="http://static.slideshare.net/swf/logo_embd.png" style="border: 0px none ; margin-bottom: -5px;" alt="SlideShare" /></a> | <a href="http://www.slideshare.net/trebor/zones-of-emergency-talk-treborscholz?src=embed" title="View 'Zones of Emergency Talk Treborscholz' on SlideShare">View</a> |</div></div>   After the presentation I had an email exchange with <strong><a href="http://web.mit.edu/cms/People/coleman.html" target="_blank">Dr. Beth Coleman</a></strong> who is professor in Writing and Humanistic Studies and Comparative Media Studies at MIT. Her research interests include virtual world design and use, networked subjectivity, global media emergence and practice in China, India and Africa, contemporary art and technology, and critical history of race and technology. She blogs at <a href="http://projectgoodluck.com/blog/index.php" target="_blank">Project Goodluck</a>.<br /><br /><strong>There Beth Coleman followed up on my talk:</strong><br /><br /></span><blockquote><span class="sizeGreater20">Media professor Trebor Scholz gave a talk at MIT last week on Free Cooperation, discussing the ways in which we participate freely in data mining platforms (such as Google and Face Book) and what if means to give free labor to giant</span><span class="sizeGreater20"> commercial enterprises.</span><br /><br /><span class="sizeGreater20">He showed us network effect graphs that described the ways in which casual use of a site can turn into a de facto commitment to a platform. He also talked about how online labor exploitation is not visible in the manner that historical industrial labor has been. The centralizing effect of the giant media platforms is a phenomenon that causes him real alarm.</span><br /><br /><span class="sizeGreater20">I had a few more questions for him and he nicely agreed to continue the conversation here.</span><br /><br /><span class="sizeGreater20">1. Is this inevitable? Going from a mass-media distribution model to a distributed media of the Web, what has happened to the ability to choose? There are alternatives to Youtube?? Why does this site dominate? Is it design or social (the aggregating of people).</span><br /><br /><span class="sizeGreater20">2. There is no precedent for participatory networks at this scale. So the rules of ownership in regard to what one makes or even of one's personal information are not clear. The eula [end users agreement] for most sites say that the user give up all rights to content. If we are seeing a centralizing movement that reflects in effect our own use habits, how do we reverse this momentum?</span><br /><br /><span class="sizeGreater20">3. This free work is the opposite of what was meant by free software and open source initiatives a decade ago. Do user&rsquo;s rights need to be mandated at the level of law to prevent our herding instincts from helping to create de facto media monopoly? Does this destroy the progressive and innovative aspects of Web agency that someone like Y. Benkler has applauded in Wealth of Networks?</span><br /></blockquote><span class="sizeGreater20"><br /><strong>Trebor Scholz:<br /><br /></strong>Why do people congregate in very large numbers in very few places? People want to be where other people are. I learn from my friends on Facebook (FB) through the newsfeed and from my network on Del.icio.us. Knowledge is created among us, laterally. D. Weinberger calls it the Daily We. I can see what my FB friends (people whom I met at conferences or with whom I am otherwise acquainted) bookmark, read, which events they put on, and which groups they associate themselves with. I'm certainly not alone-- these reasons motivate many of the 70 million people who are on Facebook.<br /><br />Business plans for startups are based on a very low threshold for participation, uploading is made very easy. People contribute videos, blog entries, wall posts, bookmarks, status updates, and photos but none of this material can be exported. An active user becomes more valuable over time, not unlike a bottle of wine in the wine cellar. All those &ldquo;friends&rdquo; with whom we reconnect, sometimes after quite some time, and all those media and texts are literally locked up. Try to delete Flickr photos (you&rsquo;ll have to go one by one; try that with the 2 GB that you just uploaded). Or, try deleting your Facebook (FB) account. You can't. Attempt to export blog entries on MySpace or photos on Facebook. Not accidentally, the export option does not exist. Groups are locked up in these social milieus. Weak-tie-communities are entrapped; it's a corporate confiscation of attention, creativity, and time. Steve Chen, co-founder of Youtube understands how much he owes the &quot;community&quot; when <a href="http://www.youtube.com/watch?v=QCVxQ_3Ejkg" target="_blank">he thanks Youtube users</a> shortly after being acquired by Google for $1.6 billion. Chen: &ldquo;Thanks to everyone of you guys that have been contributing to YouTube, to the community. We would not be anywhere close to where we are without the help of this community.&rdquo; Within three years the site had achieved popularity and that user community directly translated into Google stocks. <br /> <br />Users who &quot;flirt&quot; with a given site are attracted by the wealth of user-submitted content. Bigger is better. It's the network effect: the more people use a technology, the more valuable it becomes. Fax machines don&rsquo;t get you very far if only 5 people use them. Equally, you'll not reconnect with your high school sweetheart on an obscure startup social networking site. You will also not find many photos with an uncommon tag on a photo site other than Flickr. User-submitted content makes these sites so attractive. The top ten site of the Web share 40% of all web traffic (sina.com, baidu.com, yahoo.com, msn.com, google.com, youtube.com, myspace.com, live.com, orkut.com, qq.com). These sites disproportionally control the networked public sphere because of the user-submitted content, which makes their social milieus so intensely engaging. Yochai Benkler refers to this mass-media-like constellation of media monopoly as the &quot;Berlusconi Effect.&quot; The democratizing effects that Benkler described in <a href="http://www.facebook.com/group.php?gid=7929105827" target="_blank">Wealth of Networks</a> in 1995 have little to do with user-generated content. He focuses on the remaining 60% web traffic made up in part of blogs that spread reports showing the shortcoming of Diebold's voting machines.<br /><br />I think that Benkler's sometimes criticized utopian enthusiasm for peer production is justified when it comes to initiatives like Wikipedia or even Google Adsense that allows individuals to supplement their income.&nbsp; &nbsp;<br /><br />&nbsp;Sure, there are endless alternatives to the MyTubes and YouSpaces of the World Wide Computer. But good luck trying to migrate your data and friend lists with you. YouTube is attractive because of those 70,000 uploads a day (and counting). It's very difficult to migrate data to another site. Interoperability is largely an illusion. Users can reconnect with high school friends and those dozens of people would not all move with the potential migrating users. The loss would be significant. My hope is that exportability will become a competitive advantage for Social Web companies. <br /><br />The American site Orkut dominates Brazil and India completely. Canada hearts Facebook. MySpace and FB reign supreme in the United States. How do these sites become the default? Some researchers suggest that it has to do with the colors of the interface or with a celebrity joining the site. (This is not so different to a real estate agency that spreads the news that the R&amp;B singer and songwriter Beyonc&eacute; will buy a duplex in a newly erected building.) But then, soon, once a solid number of users is established, the wealth of social life will be the attraction. Good design cannot have much to with it: just look at MySpace and its disastrous interface. <br /><br />Yochai Benkler correctly suggests that &quot;peer production is as efficient and significant for the 21 century as the assembly line was for the 20th century.&quot; I also agree with Benkler when he suggests that through peer production &quot;people can do more by and for themselves&quot; but I add that the pleasures of online sociality are exploited. Communities are often deceived and commodified. They are unfairly used as a resource, often without their consent and knowledge. It's a bit like Mark Twain's &quot;Whitewashing the Fence&quot; in Tom Sawyer.<br /><br /><span class="full-image-float-left"><img alt="sawyer.jpg" src="http://www.collectivate.net/storage/notes/sawyer.jpg" /></span>Tom tries to motivate the neighborhood boys to paint the fence for him. His friend Ben rejects the offer to paint the fence without pay. Tom responds &ldquo;What do you call work?&rdquo; and resumes his whitewashing:<br /><br />&ldquo;Well, maybe it is, and maybe it ain&rsquo;t. All I know, is, it suits Tom Sawyer.&rdquo;<br />&ldquo;Oh come, now, you don&rsquo;t mean to let on that you like it?&rdquo;<br /><br />The brush continued to move.<br /><br />&ldquo;Like it? Well, I don&rsquo;t see why I oughtn&rsquo;t to like it. Does a boy get a chance to whitewash a fence every day?&rdquo;<br /><br />That put the thing in a new light. Ben stopped nibbling his apple:<br /><br />&ldquo;Say, Tom, let me whitewash a little.&rdquo;<br /><br />Online the promise of the free service is subtler than Tom Sawyer's boyish box of manipulating tricks.<br />The surplus attention of people, diverted from television to the Internet, translates into many hours every day spent on social networking sites. (For Myspace that meant an increase in value from $ 583 million in 2005 to $15 billion in 2008.)<br /><br />I disagree with Benkler when he proposes social peace: &quot;The key is managing the marriage of money and nonmoney without making nonmoney feel like a sucker.&quot; How can big businesses like NewsCorp can get away with exploiting communities. From a business perspective, the question is how you a company can find people to make a living with. How can they harvest the labor and presence of those millions on Myspace, for example, without making them feel bad? This is also an underlying question for Don Tapscott in Wikinomics when he celebrates that &quot;In Second Life, the consumer actually co&ndash;innovates and coproduces the products they consume.&quot; (Tapscott and Williams, 2007. Wikinomics, p. 126). <br /><br />Companies like LindenLab, while granting users IP-rights to their creations in the virtual world SecondLife, make profits without providing anything but the technical backbone, the real estate for all this creativity and flying around. The ownership issues of submitted content are handled in favor of the user here. But perhaps that simply shows that the content does not matter so much. Since Howard Rheingold's <a target="_blank" href="http://www.electricminds.org/">Electric Minds</a>, companies have learned have learned that user-submitted content is very rarely what makes money. Today, the platform zars realize that it's about attention; it's about time spent in an environment and about the data that can be sucked out of the user clicks. &nbsp;<br /><br />Benkler, Lessig, Sunstein and others are looking at these issues as lawyers. Their contributions are important but they respond to questions that are relevant to the legal community. I approach the issues from the cultural activist perspective. &nbsp;<br /><br />Is centralization avoidable? Is it a new phenomenon? User-submitted or generated content such as book reviews are not new (very much in opposition to what Web 2.0 ideologues wants you to believe). Benkler argues for the Web as a place where ordinary people can find a voice but it is not a novel trend. Personal email was a sneaky and by all means unplanned use of ARPANET. Amazon.com's review submission feature started in 1995 as an early form of self-publishing. The Indian social networking site Sulekha kicked off in 1999.&nbsp; The participatory turn, the shock of the social, and groundswell of sociality online-- whatever you want to call this quantitative leap of participation in web-based social milieus-- it is new. &nbsp;<br /><br />Is the &quot;Berlusconi Effect&quot; avoidable on the Social Web? The history of radio would be a discouraging precedent. From a plethora of individual radio operators, airwave politics made sure that only the highest-paying stations would survive. Debates about net neutrality immediately enter my mind. A two-tiered Internet would be the kiss goodnight for decentralization. But <a target="_blank" href="http://tinyurl.com/4qvotm">recent news</a> made me hopeful.&nbsp;&nbsp; As it stands now, bloggers like Dailykoz or curated sites like Boingboing still exist and they are A-list sites in terms of traffic. They get a good share of the remaining 60% of traffic and that is worth defending. <br /><br /></span>]]></content></entry><entry><title>Our Book is Finally Out!!</title><id>http://www.collectivate.net/journalisms/2007/11/29/our-book-is-finally-out.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2007/11/29/our-book-is-finally-out.html"/><author><name>[Trebor]</name></author><published>2007-11-29T03:24:36Z</published><updated>2007-11-29T03:24:36Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left"><a href="http://tinyurl.com/3dfzwk" target="_blank"><img src="http://www.collectivate.net/storage/notes/Picture%201.png" alt="Picture%201.png" /></a></span></p>]]></content></entry><entry><title>Good Practices and Mobile Social Networking</title><id>http://www.collectivate.net/journalisms/2007/11/28/good-practices-and-mobile-social-networking.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2007/11/28/good-practices-and-mobile-social-networking.html"/><author><name>[Trebor]</name></author><published>2007-11-28T06:05:30Z</published><updated>2007-11-28T06:05:30Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div style="width:425px;text-align:left" id="__ss_183565"><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=good-practices-on-the-mobile-social-web-1196229238555198-4"/><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=good-practices-on-the-mobile-social-web-1196229238555198-4" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;"><a href="http://www.slideshare.net/?src=embed"><img src="http://static.slideshare.net/swf/logo_embd.png" style="border:0px none;margin-bottom:-5px" alt="SlideShare"/></a> | <a href="http://www.slideshare.net/trebor/good-practices-on-the-mobile-social-web" title="View 'Good Practices on the Mobile Social Web' on SlideShare">View</a> | <a href="http://www.slideshare.net/upload">Upload your own</a></div></div><br><br>]]></content></entry><entry><title>Web 2.0 Ethics</title><id>http://www.collectivate.net/journalisms/2007/11/14/web-20-ethics.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2007/11/14/web-20-ethics.html"/><author><name>[Trebor]</name></author><published>2007-11-14T12:52:18Z</published><updated>2007-11-14T12:52:18Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div style="width:425px;text-align:left" id="__ss_166082"><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=web-20-ethics-1195045165129727-3"/><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=web-20-ethics-1195045165129727-3" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;"><a href="http://www.slideshare.net/?src=embed"><img src="http://static.slideshare.net/swf/logo_embd.png" style="border:0px none;margin-bottom:-5px" alt="SlideShare"/></a> | <a href="http://www.slideshare.net/trebor/web-20-ethics" title="View 'Web 2.0 Ethics' on SlideShare">View</a> | <a href="http://www.slideshare.net/upload">Upload your own</a></div></div>]]></content></entry><entry><title>Motivations for Participation</title><id>http://www.collectivate.net/journalisms/2007/11/8/motivations-for-participation.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2007/11/8/motivations-for-participation.html"/><author><name>[Trebor]</name></author><published>2007-11-08T04:14:57Z</published><updated>2007-11-08T04:14:57Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div style="width:425px;text-align:left" id="__ss_159181"><object style="margin:0px" width="425" height="355"><param name="movie" value="http://static.slideshare.net/swf/ssplayer2.swf?doc=motivating-people-to-participate-1194495008761736-1"/><param name="allowFullScreen" value="true"/><param name="allowScriptAccess" value="always"/><embed src="http://static.slideshare.net/swf/ssplayer2.swf?doc=motivating-people-to-participate-1194495008761736-1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="355"></embed></object><div 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<br><br>]]></content></entry><entry><title>The Web 2.0 Ideology</title><id>http://www.collectivate.net/journalisms/2007/10/3/the-web-20-ideology.html</id><link rel="alternate" type="text/html" href="http://www.collectivate.net/journalisms/2007/10/3/the-web-20-ideology.html"/><author><name>[Trebor]</name></author><published>2007-10-03T23:55:36Z</published><updated>2007-10-03T23:55:36Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="sizeGreater20">Web 2.0 is not just a viral term used to describe the broad set of techno-social changes on the Web; it is also a general way of looking at things, an ideology. This ideology is a set of ideas that was proposed by the founder of a large technology publishing house, Tim O&rsquo;Reilly, in 2004. While some of his propositions are accurate, others, which are suggested (but largely remain untold) have to be discredited. This essay will first trace back the term, situate it, and then make the ahistoricity of this branding effort transparent. <br /><br /><strong>The Power of Naming</strong><br />Public discourse is controlled by those who manage to manipulate the language of the debate. In 2006, &quot;Web 2.0&quot; was the Wikipedia article with the highest number of incoming, external links. The Web 2.0 Ideology is a marketing tool that falsely reframes the steady evolution of the Web as a sudden explosion, a big bang of techno-social components that were then collected under the conceptual umbrella of the newly created brand. While the Web 2.0 concept was initially criticized, the market logic that it proposes as common-sensensical, remains largely unchallenged. Entrepreneurs welcome the term, amateurs thought that they were learning something, pragmatists surrendered, while a few others are looking for less ideologically charged language. O'Reilly's branding idea, associated with radical novelty, sells books and tickets to events but most importantly, it has the potential to excite venture capitalists, not completely unlike the years of the dot-com mania. <br /><br /><strong>Web 2.0</strong><br />The ideas associated with the Web 2.0 brand were often discussed. In October 2004, the term was coined by Tim O&rsquo;Reilly and his colleague John Battelle. Both men brainstormed the topical focus of an upcoming conference about the Web, came up with the term and trademarked it. Two years later, at a UC Berkeley commencement speech, Tim O'Reilly said:<br /></span></p><blockquote><span class="sizeGreater20">&nbsp;&nbsp;&nbsp; &quot;If history is any guide, the democratization promised by Web 2.0 will eventually be succeeded by new monopolies, just as the democratization promised by the personal computer led to an industry dominated by only a few companies. Those companies will have enormous power over our lives -- and may use it for good or ill.&quot; </span><br /></blockquote><span class="sizeGreater20">Ten days after making this self-effacing statement, the publishing tzar sent a &quot;Cease or Desist&quot; order to a small Irish not-for-profit organization that had planned a half-day symposium with the W-word in its title.<br /><br />Initially, people were mystified about the exact meaning of the concept and O'Reilly's blog essay What is Web 2.0? was supposed to address that problem. In this text, he proposes a versioning of the Web and suggests that we currently experience is version number two. The first (think: old) version of Web is characterized by listing a set of static browser-based applications and components including Ofoto, Brittanica Online, personal websites, sites like evite, broadcast-type publishing, content management systems, and taxonomies.<br /><br />Subsequently, he distinguishes Web 2.0 by associating it with folksonomies (user-generated taxonomies), blogging, wikis, and syndication and more specifically, sites like Flickr, BitTorrent, Napster, Wikipedia, Upcoming.org and Google AdSense. Techniques and technologies include AJAX, API, XML, and RSS. <br /><br />Illustrations of Web 2.0 commonly map an overwhelmingly large number of logos of startups, supposedly demonstrating that the creators have their thumbs right on the pulse of the Internet. These maps are meant to visualize the momentum of this phenomenon, while making the non-familiar user feel intimidated. <br /><br /><strong>How new is it really?</strong><br />Tim Berners-Lee, the inventor of the Web, questioned whether one can use the term in any meaningful way, since many of the technologies that make up Web 2.0 have existed since the early days of the Web.<br /><br />The Web, for example, has always been social. Its first incarnation, ARPANET, was rapidly taken over by email exchanges. Blogging, another supposed argument for the novelty of Web 2.0 was some ten years old at the moment of the conception of Web 2.0. Already in 1994, the eccentric Swarthmore student Justin Hall pioneered blogging by using the Web to reveal details of his self-exploration and sexual adventures. In addition, user-generated content did not just suddenly appear in 2004. Forms of self-publishing are as old as Amazon.com, which allowed users to write reviews and consumer guides since its launch in 1995. An additional, often repeated feature of Web 2.0 is that now users have a voice. David Weinberger reminds us that, &ldquo;<em>NO, back from the very beginning what drove people onto the net was not so that people can shop ... Weblogs and all that have made it way, way easier but the Web has always been about voice and conversation.</em>&quot;<br /><br />It is true that a wide spread democratization of news and information is taking place but at the same time, it is corporate social milieus that facilitate most of large-scale sociality. Yochai Benkler writes:<br /></span><blockquote><span class="sizeGreater20">&nbsp;&nbsp;&nbsp; &quot;At a more foundational level of collective understanding, the shift from an industrial to a networked information economy increases the extent to which individuals can become active participants in producing their own cultural environment. It opens the possibility of a more critical and reflective culture (130).&quot;</span><br /></blockquote><span class="sizeGreater20">On the one hand, Benkler is correct to suggest that online cultures are more participatory but his statement ignores the corporate context to almost all places in which major sociality takes place online. These platforms are not owned by users but they are, conversely, the possession of businesses with the goal of profit. Yochai Benkler also suggests a newly gained autonomy for the individual:<br /></span><blockquote><span class="sizeGreater20">&nbsp;&nbsp;&nbsp; &quot;The networked information economy makes individuals better able to do things for and by themselves, and makes them less susceptible to manipulation by others than they were in the mass-media culture. In this sense, the emergence of this new set of technical, economic, social, and institutional relations can increase the relative role that each individual is able to play in authoring his or her own life (130).&quot;</span><br /></blockquote><span class="sizeGreater20">The suggestion that there is less manipulation today is partially true but </span><span class="sizeGreater20">simultaneously</span><span class="sizeGreater20"> it has serious shortcomings. Software architectures of &quot;<em>social software giants</em>&quot; like Yahoo, Google, or NewsCorp are manipulative in their own, perhaps novel ways. NewsCorp, the corporation that also runs FoxNews, deceives MySpace users, with its lack of transparency when it comes to ownership of content and privacy. Also consider the planned introduction of &quot;news feeds&quot; on MySpace. <br /><br />Apart from the undifferentiated claim of democratization there is also the Network Effect on the list of components of Web 2.0. The telephone and later also the fax are only two historical examples of this effect that alludes to the fact that use value of these technologies is increasingly drastically, the more people are using it. The more people own a fax machine, the more sense it makes for the individual to buy this product. In addition, social networking sites (sns) are also hardly new. The first social networking sites, Classmates and Match.com, were founded in 1995.<br /><br />Yet another crucial aspect of the Web 2.0 concept is the separation of content and presentation, which is equally old news. Style sheets, for example, have existed since the 1970s. Traditionally, html coding merged content with form. The introduction of Cascading Style Sheets (CSS) and XML, however, changed that. </span><span class="sizeGreater20">Cascading Style Sheets (CSS) were developed as a means for creating a consistent approach to providing style information for web documents. The CSS Working Group published CSS as a W3C Recommendation in 1998.</span><p>&nbsp;<br /><span class="sizeGreater20">Talk of novelty is equally misplaced when it come to wikis. Ward Cunningham installed WikiWikiWeb on the Internet in 1995. And the first version of RSS, a format for syndicating content, was created by Netscape in 1999. </span><span class="sizeGreater20"><br /><br />Application Programming Interface (API) is an additional technology at the core of Web 2.0. APIs&nbsp; interconnect websites just like a door way through which people with the right &ldquo;key&rdquo; can pass; they facilitate the link between one computer program and another. Open APIs allow programmers to write applications that access the rich databases at Google, Facebook or Yahoo.&nbsp; In the past, companies protected their APIs like treasures. But more recently, they decided to share their APIs, allowing developers to build their own hybrid mash-up software. Frappr, for example, uses GoogleMaps and adds layers of conversations on top of them. <br /><br />Hardly the latest marker of the evolution of the Web, Extensible Markup Language (XML) facilitates the sharing of data across different systems on the Internet. XML 1.0 became a &ldquo;W3C Recommendation&rdquo; already in 1998. <br /><br />Folksonomy, however, was popularized in 2004. It stands for collaborative tagging, social classification, social indexing, social tagging. It is the practice and method of collaboratively creating and managing tags to annotate and categorize content. While the Web has always been social, the scale of participation is new. It did not, however, explode over night but was the result of the steady growth of the Web. Today, online participation is made easier because of increased familiarity, easier-to-use tools and broader access to bandwidth and technologies.<br /><br />Also new is the term AJAX, first coined by Jesse J. Garrett in 2005. It means that Javascript is now working in a way that allows web-based applications to function much like traditional desktop software. AJAX makes web pages feel more responsive by exchanging only small amounts of data with the server so that one does not have to reload the entire web page, each time when requesting a change. While the term AJAX is new, it uses a set of decade-old, existing technologies.<br /><br />While neither user-generated content, XML, RSS, wikis, blogs, CSS, the network effect, or social networking sites were new in 2004, it is correct that folksonomies as well as the current scale of participation are indeed new. <br /><br /><strong>The Web 2.0 Ideology</strong><br />Web 2.0 ideologues say that control is bad but in fact control is only increasing as Lawrence Lessig warns us in his book Code 2.0. Other abreviations of this rethoric include: openness--good, authority--bad, hierarchy--bad, and amateur creativity--good. <br /><br />With Web 2.0, services, rather than products are offered and users are encouraged to participate. Architectures of participation allow networked publics to achieve what Pierre Levy called Collective Intelligence. Networked individuals refer each other to useful content. They page rank, tag, follow and &quot;unfollow.&quot; The line between amateur and professional gets blurred when users collaborate to write blogs and wiki entries. Users tag content online and therefore in many cases editorial classification is made unnecessary.<br /><br />The claim of the relinquishing of control, an essential part of the Web 2.0 ideology, is a myth as William Blaze argues:<br /></span></p><blockquote><span class="sizeGreater20">&nbsp;&nbsp;&nbsp; &quot;What separates the Web 2.0 from that plain old &quot;web&quot; is the establishment and entrenchment of a hierarchy of power and control. This is not the same control that Microsoft, AOL and other closed system/walled garden companies tried unsuccessfully to push upon internet users. Power in the Web 2.0 age comes not from controlling the whole system, but in controlling the connections in a larger network of systems. It is the power of those who create not open systems, but semi-open systems, the power of API writers, network builders and standard definers.&quot;</span><br /></blockquote><span class="sizeGreater20">Many tasks can now be &quot;out-sourced&quot; to the users who can create in &quot;self-service&quot; mode. The business world introduced the term &quot;crowdsourcing&quot; for an entrepreneurial model &quot;i<em>n which a company or institution takes a job traditionally performed by a designated agent (usually an employee) and outsources it to an undefined, generally large group of people in the form of an open call over the Internet. The work is compensated with little or no pay in most cases,</em>&quot; as Wikipedia puts it.<br /><br />The Web 2.0 ideology describes the user experience as &quot;free,&quot; convenient, rich, and pleasurable, which makes it easy for users to forget that their &quot;life labor&quot; creates monetary value. Services lure users with the promise of a free service, which is by no means free when one observes the surplus created inthese environments. Web 2.0 makes people easier to use; companies like Amazon and Ebay aimed to make use of their users from the very beginning. A detailed analysis of the dynamics of labor is not the topic of this essay. <br /><br />Users can re-use and remix existing content. Web 2.0 ideologist Don Tapscott in his book &quot;Wikinomics&quot; talks a lot about relinquishing control and about openness, trust and authenticity. Wikipedia goes largely along when it defines Web 2.0 as &quot;<em>a social phenomenon referring to an approach to creating and distributing Web content itself, characterized by open communication, decentralization of authority, freedom to share and re-use.</em>&quot; But while the Web 2.0 ideology claims openness and the end of walled gardens, the reality looks radically different. &nbsp;<br /><br />The versioning of the Web, this false assertion of novelty, has become a placeholder for the 2.0 ideology that has caught on in many areas that do not have an obvious linkage to the Internet. Below, see in brackets the Google search results for the mentioned terms (July 11, 2007). Beyond Love 2.0 (48 700), there are many other examples:<br /><br />Copyright 2.0 (94 900)<br />Networked publics share content through Creative Commons Licenses.<br /><br />Business 2.0 (1 930 000)<br />Users/Creators are meant to blur seamlessly into businesses.<br /><br />Identity 2.0 (330 000)<br />Our identity and knowledge is now shaped socially, it is in between us, in&nbsp; the small circle of our friends. <br /><br />Author 2.0 (76 600)<br />Large-scale literary experiments are now possible, allowing very many people to jointly write a novel, for example. <br /><br />Science 2.0 (349 000)<br />Distributed citizen science has many examples today. Cornell University's extensive bird watching site collects data from citizens on a scale that has not been possible before. &nbsp;<br /><br />Travel 2.0 ( 247 000)<br />Users jointly create travel guides.<br /><br />&nbsp;Law 2.0 (39 700)<br />The government of New-Zealand put their penal law online, for citizens to edit. <br /><br />To sum up, the Web 2.0 ideology is characterized by the ahistorical promise of radical novelty, openness, increased democracy, worship of the creative amateur, the power of the many (&quot;collective intelligence&quot; and &quot;crowd sourcing&quot;), the promise of a &quot;free service,&quot; the claim of the end of hierarchies, the relinquishing of (corporate) control, the separation of form and content and therefore the possibility of the mobility of data, the switch from desktop applications to web apps, the web as platform, a new scale of participation, and a significantly more convenient and rich user experience. <br /><br />What sounds like 1960's counter culture rebellion, against control and authority, is far from it. It is hard not to think of Richard Barbrook's Californian Ideology, the &quot;<em>bizarre fusion of the cultural bohemianism of San Francisco with the hi-tech industries of Silicon Valley.&quot;</em> Web 2.0 ideologues use the language of rebellion, anarchy and horizontal structures but their core values do not support the goal of the Internet as a common good.<br /> <br /></span><p>&nbsp;</p><br><br>


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